Soft edge touch photo glamour shots1/13/2024 ![]() Film was Portra 400VC (tried to get some Fuji as suggested, but the weekend lab had none in stock). I shot a new model outdoors with the proposed setup today, and will (if the thread lives) post the results after processing.įor anyone interested, I used a Broncolor Mobil with the ring flash and a soft reflector (meant for the unit). Hope we can return to the true aspect of this thread - I've got some good information and leads from it (including legal aspects -)). I should have this matter solved as I will consult our companies US IP specialists in Chicago. Hi to all concerned about the legal aspects. Located in Australia - little high level resource available to date. I use Kodak Portra 400VC (which was suggested to me by a pro). Or possibly I need some clues on film types etc. I figure (as these are high quality magazine shots) that there might be more to it in terms of pre-processing the images. I've spent hours in the Library pouring through every title available and most don't seem to cover the more current 'lighting'. These efforts have proceeded over a month or two, and plenty of study during. I figure that it is the popular Ringflash (I can only afford to hire them at the moment) so I'm limited by experiments. Huge softbox with black reflectors on either side (did not have the skin highlights or edge)īroncolor Mobil with Ringflash (skin highlight was the problem). Two 22" reflectors (beauty lights) from Profoto (could not remove all shadows) Many thanks for pointing this out - not sure how to proceed showing examples? I've never posted before - but have seen a shot similar which had 'copyright to the original' - which I thought may suffice (don't know the photographers name). Cropping, resizing and re-centering are some of the steps to complete the process of total digital make-over of a fashion model.Appologies to ALL. ![]() All these can easily be done with the skillful use of computer software. As part of post production, a photographer needs to fix lighting and color, and do overexposed and underexposed adjustments. You may want to remove distractions from an image’s background or just remove or change the background altogether. It is just part of a typical fashion retouching job to adjust, smoothen and recolor clothes and other accessories. Businesses that use models to sell their products may also want to have their products stand out in the image. The clothes look great on a neatly sculpted body. Often times, a retoucher needs to work on the body of a model to adjust any shape disorders and enhance its looks and glamour. If needed, we can also subtly reshape all or any aspects of the face and add virtual make-up to complete the facial makeover. We then turn to enhance color and sharpness of eyes, mouth and lips, and adjust the lighting on the face. ![]() Red-eye removal, teeth brightening, removing crow’s feet and reducing eye bags and wrinkles are important steps of this process. We apply virtual makeover techniques to correct photographic errors and enhance facial beauty. They need not justify correctly how actually you should look. Not all photographs turn out to be great. ![]() It all needs experience to do a realistic touch to the face and body skin. Removing wrinkles, grease, sweat and shine, and fixing light and shadows are necessary steps of skin retouching. What is challenging for a retoucher is to retain all skin details while smoothing texture and adjusting tones. The first things to look at are skin blemishes, such as spots, pimples, cuts and scars.
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